Slowing these songs down can be a fun exercise in trying to figure out how James composes a song, or otherwise just a new way to appreciate his music. Instead of 33 minutes, you actually get 45, you understand? And there you have it, an album of standard length.” (Source)Īphex Twin records are incredibly complex, multi-layered, rule-breaking and mind-shattering and slowing them down not only changes the feel of the song, it actually allows your brain to more easily pick out and process each layer. That’s also the real reason why my album ended up so short. If they go for too long, then they don’t fit onto the vinyl-and then you can’t play them slower. Well maybe, you don’t have to look far as this slowed down version of Jolene, a classic country-style song by Dolly Parton, proves. That’s also why my pieces are so short: you can only press them onto maxi singles if they are short at 45 rpm. Dolly Parton - Jolene Releases Discogs Ad Dolly Parton Jolene More images Tracklist Credits (2) Randy Kling Lacquer Cut By Bob Ferguson Producer Notes Peaked at No. “Many of my tracks are better if you play them at 33 rpm. Get the best deals on 33 RPM Vinyl Records Dolly Parton when you shop the largest online selection at. James explained in an interview that a lot of his music is meant to be played slower than it appears on his records. One clever YouTube user named Tom Berry had the idea to reduce the speed on his record of Dolly Parton’s Jolene, bringing the 45 rpm single down to 33 1/3 rpm, slowing the entire track to. And to make things even weirder, she kind of sounds just like Jay-Z.īack in ’96, Richard D. It seems ridiculous at first but some of these tunes are actually really intricately crafted pop/electronic songs, and slowing them down helps to distinguish all the layers within them. Jolene slowed down but VOCALS KEPT THE SAME (33 RPM Dolly Parton) OzzyOscy 3.9K subscribers Subscribe 2.4K 219K views 8 years ago I'm jumping on the bandwagon. Seriously, don’t be so quick to skip this one. At any moment I could drop into a different level of time.” (Source) So I could slip into half-time I could slip into a third of a time. “All the music in the score is subdivisions and multiplications of the tempo of the Édith Piaf track. Playing off the concept of time-dilation used in the film, Zimmer explained how he constructed the score in an interview with The New York Times:
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